





Here are some notes I took at a writing lecture.
– Suspense is lean.
– Sometimes less in words.
– Cut where you can it can make the difference.
– If it does not build angst, it will not instill suspense.
– Sometimes deleting one or two words make all the difference.
– Proses can enthrall or bore. Choose your words wisely.
– Red herring: throwing out a false antagonist. Usually has one or two in a novel.
– Joseph Philpack and Stephanie black are both good on how they handle red herring.